About

Scott Seton Hancock is a San Diego–based conceptual artist working with language, systems, and the material traces of human belief.


Artist Statement

I am interested in what a culture decides to keep.

Not in theory. In practice. In the actual physical decisions a society makes about what gets framed and preserved and handed down, and what gets folded up and thrown in the trash. Those decisions are not neutral. They are confessions. They reveal what we actually believe about value, about attention, about what a human life is worth noticing.

My work begins where those decisions become visible, where the gap between what we claim to value and what we actually treat as valuable opens up wide enough to stand in. I work with language, with systems, with the material traces people leave behind when they reach for something beyond themselves. I am drawn to the anonymous, the handwritten, the offered. Things made in private and released into the world without any expectation of return.

I make work that holds what we were prepared to discard. Not to rescue it. Not to sentimentalize it. But to ask what it means that we were ready to let it go, and what it costs us when we do.

Biography

Scott Seton Hancock (b. 1974, Southern California) is a conceptual artist based in San Diego, California. His work examines the gap between what a culture claims to value and what it actually treats as worth keeping — and what that gap reveals about belief, language, and the decisions we make about what deserves to last.

Before returning to full-time studio practice, Hancock spent twenty-five years working inside that gap professionally. He founded Risen, a nationally distributed magazine studying how faith and conviction move through culture. He built Glue Network, a global cause-marketing initiative examining how culture is transferred by individuals and brands collaborating to fund nonprofit projects worldwide. As partner and CEO of BLVR®, an award-winning brand consultancy recognized in Fast Company, Forbes, Ad Age, and Communication Arts, he spent two decades helping organizations identify the distance between what they said they stood for and what their actual behavior proved — and close it. He continues that work through SayDoBrand, a consultancy advising founders and executive teams on belief-led brand strategy — helping leaders name what they actually stand for and enforce it under pressure.

That body of knowledge is not incidental to the studio practice. It is structural to it. Hancock did not step away from art to build companies. He went into the world to study the subject matter his work would eventually require: how belief becomes behavior, how language either carries weight or performs it, how culture decides what is sacred and what is disposable. KEPT is the work that came out of that study.

He maintains an active consulting practice alongside a dedicated studio practice. This is what the work has been building toward.


Selected Exhibitions / Presentations

Blackout (group exhibition)
Ashton Gallery — 2024

Religion (solo exhibition)
Keller Art Gallery — 2019

Money Tree (group exhibition)
ASR — 2018

Food Chain (solo exhibition)
Keller Art Gallery — 2012

KEPT is currently in active development. Paintings are in production. First exhibition and representation conversations are underway. Preview materials available by request.


Education

Point Loma Nazarene University (San Diego, CA)
B.A., Fine Arts (Studio Art), 1999

Inquiries

For representation, exhibition inquiries, press, studio visits, or available works:

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